Casablanca (film) - Wikipedia
In his reading of Casablanca (directed by Michael Curtiz in. ), Richard Maltby focuses .. not be an issue for Rick, but it certainly is for Ilsa. When she sees . Casablanca posits Rick's relationship with Captain Renault— not Ilsa—at the. Casablanca is an exploration of the universal themes of love and sacrifice, but when the that of the local French commander of Casablanca, Captain Louis Renault. In the film's political allegory, Rick and Louis's relationship suggests the. The film Casablanca is 75 years old this week and, over time, it has become one of Thereupon, Rick and Renault decide to join a Free French garrison in . later, “It doesn't take much to see that the problems of three little people . it as a leitmotif of Ilsa and Rick's fraught relationship: As Time Goes By.
The papers allow the bearers to travel freely around German-occupied Europe and to neutral Portugaland are priceless to the refugees stranded in Casablanca. Ugarte plans to sell them at the club, and asks Rick to hold them.
Before he can meet his contact, Ugarte is arrested by the local police under the command of Captain Louis Renault, the unabashedly corrupt Vichy prefect of police. Ugarte dies in custody without revealing that he entrusted the letters to Rick. Then the reason for Rick's bitterness—former lover Ilsa Lund—enters his establishment. She is accompanied by her husband, Victor Laszlo, a renowned fugitive Czech Resistance leader. They need the letters to escape to America to continue his work.
German Major Strasser has come to Casablanca to see that Laszlo fails. When Laszlo makes inquiries, Ferrari, a major underworld figure and Rick's friendly business rival, divulges his suspicion that Rick has the letters. Privately, Rick refuses to sell at any price, telling Laszlo to ask his wife the reason.
Laszlo orders the house band to play " La Marseillaise ". When the band looks to Rick, he nods his head. Laszlo starts singing, alone at first, then patriotic fervor grips the crowd and everyone joins in, drowning out the Germans. Strasser demands Renault close the club, which he does on the pretext of suddenly discovering there is gambling on the premises. When he refuses to give her the letters, she threatens him with a gun, but then confesses that she still loves him.
She explains that when they met and fell in love in Paris inshe believed her husband had been killed attempting to escape from a concentration camp. While preparing to flee with Rick from the imminent fall of the city to the German army, she learned Laszlo was alive and in hiding. She left Rick without explanation to nurse her sick husband. He agrees to help, letting her believe she will stay with him when Laszlo leaves.
When Laszlo unexpectedly shows up, having narrowly escaped a police raid on a Resistance meeting, Rick has waiter Carl spirit Ilsa away. Laszlo, aware of Rick's love for Ilsa, tries to persuade him to use the letters to take her to safety.
When the police arrest Laszlo on a minor, trumped-up charge, Rick persuades Renault to release him by promising to set him up for a much more serious crime: To allay Renault's suspicions, Rick explains that he and Ilsa will be leaving for America. When Renault tries to arrest Laszlo as arranged, Rick forces him at gunpoint to assist in their escape. At the last moment, Rick makes Ilsa board the plane to Lisbon with Laszlo, telling her that she would regret it if she stayed—"Maybe not today, maybe not tomorrow, but soon and for the rest of your life.
Rick shoots him when he tries to intervene. When policemen arrive, Renault pauses, then orders them to "round up the usual suspects. As they walk away into the fog, Rick says, "Louis, I think this is the beginning of a beautiful friendship".
Cast[ edit ] Greenstreet and Bogart The play's cast consisted of 16 speaking parts and several extras; the film script enlarged it to 22 speaking parts and hundreds of extras. The top-billed actors are: Rick was Bogart's first truly romantic role. Ingrid Bergman as Ilsa Lund. Bergman's official website calls Ilsa her "most famous and enduring role".
Film critic Roger Ebert called her "luminous", and commented on the chemistry between her and Bogart: Selznickby lending Olivia de Havilland in exchange. Henreid, an Austrian actor who had emigrated inwas reluctant to take the role it "set [him] as a stiff forever", according to Pauline Kael until he was promised top billing along with Bogart and Bergman. Henreid did not get on well with his fellow actors; he considered Bogart "a mediocre actor. Claude Rains as Captain Louis Renault. What an important cause he is fighting for?
Flaring up, she denounces his self-involvement, but then apologizes and says Rick is their last hope, that without his help Laszlo will die in Casablanca. As I observed at the outset, the turning point of the film and its denouement make one wonder if the behavior of Rick and Ilsa, which is so radical and so essential to the plot, is consistent with their characters. The most crucial moment in the film occurs when Rick tells Ilsa to go ahead and shoot.
It is possible that he really wants her to shoot and is being suicidal.
Rick, Ilsa, and Laszlo: A Closer Look at Characterization in Casablanca -- Bernard J. Paris
Whether he wants her to kill him or not, his words are an expression of despair, of his feeling that his life is not worth living. Rick feels this way partly because Ilsa has chosen Laszlo over him. He was euphoric in Paris when he had her love and was devastated after he felt that she had rejected him. Although he seems unconflicted and unrelenting in his vindictiveness, he needs to be noble, as he has been in the past; and he cannot be comfortable with the course his anger has driven him to take.
He cannot transcend his hurt pride, but he cannot restore it by subverting the cause for which he has fought. If Laszlo is imprisoned or killed, how will Rick live with himself after that? When she tells Rick how much she loved him, and loves him still, she restores his pride and makes it possible for him to become magnanimous to Laszlo. The film seems to offer two possible scenarios: The first scenario is suggested by the scene between Ilsa and Laszlo just before Ilsa goes to plead for the letters.
Laszlo lets Ilsa know that he sympathizes with her situation in Paris and assures her that he loves her very much. She is asking Laszlo to believe that she loves him no matter what, and he says that he will. The interaction between Laszlo and Ilsa seems to be a variation on the Jan-Annina story, except that Laszlo is not a boy. He is an idealist but also a man of the world with sophisticated attitudes toward sex and a readiness to accept the harsh realities of life. As we have seen, Ilsa tries several approaches to getting the letters, including threatening Rick with a gun.
Shooting him would not be a good solution, even if she could bring herself to do it, for this would result in her arrest. Now desperate, Ilsa plays her last card by telling Rick that she loves him. This is not the reason she came to see him, of course, and the falsity of the statement suggests that she telling him what she knows he wants to hear. Another possibility is that Ilsa is sincere about loving Rick and is prepared to abandon Laszlo, provided he will be saved?
That is the impression with which we are left by what happens at the airport.
Casablanca (Michael Curtiz, )- The Love Triangle - zolyblog.info Forums
Rick agrees to do so and devises a plan to free Laszlo, who has been taken into custody, and to send him off to Lisbon, whence he can depart for America. The only way of integrating them is to see Ilsa as initially trying to manipulate Rick and then really falling for him again. If that is what the film was aiming at, the transition was not made very clear; and the total effect is confusing, I think. She has already indicated that she initially mistook her veneration of Laszlo for love, and she seems to be more erotically attracted to Rick than she is to her husband.
In this scenario, Ilsa is drawn not to the stronger but to the weaker man, a not uncommon phenomenon in the relations between the sexes. Rick is devastated by what he interprets as her desertion of him for another man. By telling Ilsa to go ahead and shoot, Rick is forcing her to choose between himself and Laszlo. It is the needier man who tugs at her emotions, feeds her pride, and wins her emotional support.
Like Ilsa, viewers seem to prefer the insecure Rick to the self-confident Laszlo. From the perspective of the audience, perhaps the contest is between a character who seems to be a flesh and blood human being—capable of suffering, error, and redemption—and a quasi-mythical, seemingly invulnerable hero who understands and forgives all. Many people love Rick, whereas Laszlo has few admirers, despite the fact that he more consistently embodies the values of the film.
It restores his sense of potency and worth, not only because it alleviates his sense of rejection, but also because it gives him a competitive triumph over Laszlo, the man whose superiority has been making him feel small. When faced with a decision, Ilsa has chosen him. She had looked up to Laszlo as a great and courageous man who taught her everything she knew. It is now Rick, not Laszlo, to whom she looks for guidance. He has become the dominant member of the triangle. Rick agrees to think for all of them, and the plan he forms is profoundly influenced by the conversation with Laszlo that immediately follows his scene with Ilsa.
- Rick Blaine & Louis Renault: The movie after Casablanca
We might as well question why we breathe. If we stop fighting our enemies, the world will die. This is still the cynical Rick who has not yet relinquished his defensive detachment. He explains that he knew there was something between Rick and Ilsa when he saw them together the first evening.
When Ferrari says that it will take a miracle to get him out of Casablanca, Laszlo proposes that Ilsa leave without him. She refuses, reminding Laszlo that, despite the danger to himself, he stayed with her when she had trouble getting out of Lille and was sick in Marseilles.
Laszlo replies that he loves her very much we never hear Ilsa declare her love for Laszlo. Many people in this film have been behaving nobly, with Rick as a notable exception so far. He tells Renault that Laszlo can be rearrested on a more serious charge and that he, Rick, will be leaving with Ilsa.
In accepting this plan, Renault seems to have forgotten that Rick cannot return to America. Rick tells Ilsa that Laszlo will use one of the letters of transit while they remain together in Casablanca.
This could not work, of course, after Rick forces Renault at gun point. Rick and Ilsa are doomed to be star-crossed lovers separated by the craziness of the world in which they live. Ilsa seems frustrated at first, but things are working out beautifully for Rick. There is no practical way he can have Ilsa, but he no longer seems to need her concrete presence in his life. Once he feels that she loves him, he can let her go, contenting himself with the memory of what they had in Paris. He can give up his vendetta, which would have destroyed him had he carried it out, and finally be at peace with himself.
Instead of being the villain of the piece, he will be the hero. Ilsa had scorned Rick for thinking only of his own feelings with so much at stake. Now he turns the tables by assuming the morally superior position. It is not he but she who is blinded by personal feeling. He instructs her on the importance of the cause and the necessity of sacrifice: They are happy and in love, life full of bliss when the Germans invaded France.
Ilsa get angry and calls him a coward and weak, that he has given up on the cause that he once fought for and how that was so disgusting to her. Rick, stubborn as he is walks towards her, knowing that the love they shared in Paris was not meaningless.
He was right; she could not shoot and soon broke into sobs. The emotional roller coaster that Ilsa takes us on is not, in my experience, an uncommon one.
Even as she pleaded with him not to go to the underground meeting, he shrugged her opinion and worry off and did not even consider not going.