Cinema paradiso toto and alfredo relationship help

Cinema Paradiso distinguished by superb acting - The Tech

cinema paradiso toto and alfredo relationship help

“Cinema Paradiso” demonstrates, through Toto's relationship with Alfredo, that all children need parents to guide and support them to adulthood. The romance of films and cinema as never told ever again. Makes you want to make Cinema Paradiso. What has The relationship between alfredo and toto ? The music? Want a Quora Ads expert to help build your ads? Join the Quora . Cinema Paradiso deals with the relationship between Toto (Salvatore di Vita) and .. Alfredo helps Salvatore in his pursuit of Elena and connives with the young.

A local man who had won the lottery rebuilt the cinema and Toto became the new projectionist. Here the film jumps ahead about ten years and Toto is in his late teens and still working in the cinema. He begins to experiment himself making amateur films and while filming people at random, he filmed a beautiful young girl, Elena, with whom he fell in love. Alfredo still felt that Toto was wasting his time in Giancaldo and urged him to move away and do something with his life.

Toto and Elena made tentative plans to elope together but these plans come to nothing when through a misunderstanding they fail to meet. Now Toto realised that there was no reason why he should stay. We learn that while Toto did succeed materially, and later became a very successful film director in Rome, emotionally he has not found anyone to love.

He visits the remains of the cinema and puts his old memories to rest. He looks at this with a wry smile as he remembers all that this stood for.

They were the times when the local priest, Fr. Alfredo may also have left the reel of film to remind Salvatore of the importance of love and to tell him to look for happiness in his personal life. For them, the cinema not only transposes them from their mundane, limited circumstances into a world of excitement and drama, but it introduces them to modern living and all its promises.

They enter into the film as it unfolds and shriek with laughter or gasp with horror at the crisis points.

cinema paradiso toto and alfredo relationship help

Alfredo once told him that when the audience were happy, it made him happy too. The local people were almost in a frenzy to get into the cinema to see the latest film. The local priest, Fr. However, with the passing of time, the films have become less censored and the excitement of seeing bared flesh and especially scenes with sexual overtones are what attract the audiences now. The priest has less control now over the content of the films because the cinema has now gone into private ownership.

Sadly, with the competing outdoor film companies Drive in Movies and the introduction of television, the cinema loses its customers and falls into disrepair. When Salvatore returns thirty years later, what was once the centre-point of the village is now in a sorry state.

The Theme of Isolation As a child, Toto was isolated from his mother. He was an intelligent child, who needed to question and explore new things. His mother was a woman who held the old values dear to her and looked at the changing times with suspicion, so Toto gradually became distant from her. He lacked a father-figure due to the fact that his father had not returned from the Russian Front so he formed a bond with Alfredo.

cinema paradiso toto and alfredo relationship help

This fact furthered his alienation from his mother. Toto also had a younger sister who rarely features in the film and he seemed to have little in common with her.

cinema paradiso toto and alfredo relationship help

Toto spent every spare moment with Alfredo in the projection room of the cinema, so in that respect, they isolated themselves from society. Alfredo lived for the cinema and seemed distanced even from his wife.

cinema paradiso toto and alfredo relationship help

This may be partly due to the fact that his job involved so many anti-social hours. When he left Giancaldo, Toto seemed to have lived a rather lonely life, despite having no shortage of female companions.

He had never really formed a relationship with anyone since he left his home town. The Theme of Love In more than one way, this film could be seen as love story. It deals with the relationship between Toto and Alfredo, which resembles a father-son relationship.

Alfredo loved Toto enough to send him away for his own good. He felt that it was necessary to sever their bond so that Toto would be able to make more progress in the field of cinema than just merely showing films. This proves to be the case as Toto became a respected film director.

It was, for him, the type of romantic love story he had seen in films many times — love at first sight. He never really recovers from this and cannot maintain a steady relationship with any other woman he meets later.

Biography: Cinema Paradiso

Every time his mother telephones, a different woman answers the phone. As only a mother can tell, she says to Salvatore when he returns, that not one person who answers the phone is in love with you. When Salvatore reruns the old film clip he had of Elena, his mother peeping in at the door understands.

As the film ends with Salvatore viewing the passionate kisses from the old films, he seems to be more at peace with himself and ready to let go of the past. At first the people are simple and ignorant of modern life and almost worship the power of the cinema with awe.

Cinema Paradiso – A Cult Classic Review

They take what they see literally and repeatedly view the same films over and over again. As the cinema develops, so do they and they demand more variety. The old and rather tame Romances are rejected and a more vibrant genre takes its place. Now they are watching westerns, thrillers and passionate love stories. These changes in Sicily, mainland Italy and, indeed, throughout Europe may not be welcomed by all but they are seen to be inevitable.

Cinema Paradiso - ‘Longing’ (HD) - Philippe Noiret, Salvatore Cascio - MIRAMAX

At the end, as Toto gazes at the old square which he knew as a boy, now filled with cars and noise and bright colours, we can sense his sadness. The most shocking part occurs when the cinema is knocked down to make way for a car park.

That says it all. It symbolises the transition from the old way of life to the new. The cinema, which stood for the old cultural values, is gone.

It deals with realistic relationships and gives a realistic view of Sicilian society. It depicts the modernisation of Sicily in the post-war period, emphasising the rapid changes. The only real conflict is within the central character, when he struggles to make his decision to break from Alfredo and leave Sicily.

This film is also biographical, which makes it a narrative story in the form of a film. It is quite a conventional plot at face value: There is one main flashback which tells most of the story until the end, with a couple of additional minor flashbacks.

Most of the film is set in the cinema or in the square outside.

Essay: Cinema Paradiso

Toto is occasionally seen in the streets nearby. There are some brief glimpses of the surrounding countryside and there is also one very significant scene where Toto takes the blind Alfredo to the sea after his return from military service.

Sicilian architecture features significantly in the film, both outdoors and indoors. Early on in the film some of the sequences are shot in the church and then they move to the cinema, which closely resembles the church. While he goes to school all day, he spends his nights with Alfredo in the projection booth.

Without someone to look up to, Toto, continually gets himself into trouble. This remains true in many families across the world, that without the ample support of both parents, many children find themselves lost. In one scene, in which Toto, who works also as an altar boy, walks with the village priest in the intolerably hot summer sun, Alfredo passes them on a bicycle. Because Toto is too lazy to walk back to the village, he feigns a leg injury and hitches a ride behind Alfredo.

As both of them ride back to Giancaldo, Toto asks Alfredo about his father. Its as if Alfredo knows he can be of help and guidance to the young boys life. This could spark the concerns that Alfredo never had any children of his own to love.

‎‘Cinema Paradiso’ review by David Pearce • Letterboxd

Instead of meaning his own children, Alfredo is referring to Toto. It also portrays Alfredo as a father by having Toto ride on the handle bars of the bicycle. As they are walking back through the massive rubble created by war, Toto holds the had of his weeping mother. He looks over at a film poster advertising Gone with the Wind. When Toto sees this man holding a woman in the poster he now realizes what an important piece of his life is now gone forever.

He smiles knowing how much his mother and father both loved each other. This scene is also important because it shows a transition of moving on for both Toto and his mother. There is an unfortunate accident at the Cinema Paradiso, a fire starts when the projector ignites the film.

cinema paradiso toto and alfredo relationship help