Film Score Daily: Aisle Seat Man of Steel, Slipper & The Rose
Out of circulation for many years, “The Slipper and the Rose” made is way . in depicting the initially frosty relationship between Gary and the group, Universal brings “The World's End” to Blu-Ray on November 19th in both. Why everyone should see "The Slipper and the Rose". What is a song that's never Rose two Oscar nominations. It tells the story of a relationship, and makes their falling in love believable. Happy, but not yet the ending. Loses half a star because I can't love the "spectacular" ending. It's a bit convenient as is if were a last minute add on and slightly disappointing. But it's a minor.
Over 10, candles of different sizes, were employed as period illumination. Not because this was the period that Cinderella had most been set, but because of the decorative qualities of the architecture.
It was the Baroque period; classical architecture that had taken flights of fancy. It had become free of the tight rigidity of the classical — something like a fairy tale. And this is just what the producers wanted.
I waited a few minutes while the athletically, tall, handsome American actor formerly known to millions as Dr. Kildare, came down three floors and personally ushered me into the hallway. As we travelled together up in the elevator, I remarked to Richard that it was a far cry from Kildare, now long dead and buried on the TV screen, to Prince Edward of Euphrania.
This is the singing-acting starring role he is now playing at Pinewood Studios in a two-and-a-half million pound British film musical, The Story Of Cinderella. Kildare, because someone had heard I was taking singing lessons and wanted to cash in on the publicity.
I think the time is right for a big romantic love story like Cinderella, which all the family can see. I wear wigs and have about ten changes of costume all designed by Academy Award-winner Julie Harris. We spent a month on rehearsals at Pinewood and pre-recording the songs.
I enjoy rehearsing, which is catching the mood with the other actors, but then you start to get anxious. There comes a time when you want the cameras to roll so you can do it all for real. His relaxed manner completes the picture. But since then my motivations have deepened and I now enjoy the world around and life much better.
I was an art major in college. I enjoyed painting, and I was going to be an artist. I got good notices and everyone was very nice to me. I liked doing it, so I chucked art and took up acting.
Finally, I began to get some jobs in television and then Dr. Kildare came along and that was the most solid kind of training I had.
The Slipper and the Rose: The Story of Cinderella () - IMDb
It was five years of constant work but, needless to say, playing the same role for five years is not exactly the way to progress as an actor. It was incredible to be suddenly so much in demand. This kind of adulation from the girls had never happened to me before. After a few years I felt I had to prove I could do other things, to break out of the mould that had been created for me. When I first came over, I had a strange feeling that Britain was the place to be.
I like your English repertory system. One helps to enrich the other. Now The Story of Cinderella will see him in costume again. On location in Spain there was always the chance of the horses slipping on the courtyards. And the stuntmen we had in the fight scenes were all hackers - they just hacked at the actors and everything in sight with their swords.
Fencing is always dangerous, although every movement is carefully choreographed in advance. You have to learn the moves. It was partly because Richard Lester is one of my favourite directors. I did Petulia in San Francisco with Dick a few years ago.
His films were ahead of their time.
I think they would be a big success if they were released today. I played a vain, rotten guy and pulled out all the stops. I was involved in it for fourteen weeks. For the escape scene by breeches buoy from the blazing Promenade Room we worked against a painted background on the largest sound stage in the studio.
The exteriors were on the Fox ranch at Malibu where they built a twenty storey building on the back lot. They gave me a huge dressing room all to myself at the studio. It was a taste of what working in Hollywood must have been like in the old days.
He recently made his first visit to Austria for The Story of Cinderella. They looked like something straight out of a fairy tale, dating back hundreds of years. We also spent a day shooting in the centre of Salzburg where we had coaches and horses, and the art department turned back the clock and dressed up the local shops in eighteenth-century style.
He rides and plays tennis frequently to keep himself in shape for his more strenuous movie roles. Richard Chamberlain is basically a stage actor who also happens to enjoy making movies. He is very excited that he is to direct his first stage play at an American college early next year, although the subject has still to be decided. I want to try the theatre first. Those qualified to judge have been pleasantly surprised by the fine quality of his singing voice.
Richard and Gemma make a handsome, romantic couple in The Story of Cinderella. They also sound wonderful together, too. Unknown Irresistible The Slipper and the Rose, the film that was set before the Queen, is a feat fit for all subjects. Later it will go to the States. Delightful newcomer Gemma Craven in the role of Cinderella and Richard Chamberlain as her handsome Prince are ideally cast as lovers who overcome every obstacle of wickedness and royal protocol.
Marriage has nothing to do with love, proclaims the court - headed by Michael Hordern as an amusingly eccentric King. Intent on finding for the royal heir a wife who is Protocoligorically Correct, they organize a bride-finding ball, inviting the titled wallflowers of Europe and some local flora besides. These include the not-so-Ugly-as-you-might-expect Sisters, escorted by the Wicked Stepmother, played by Margaret Lockwood.
The pumpkin turns into a coach, the mice into horses and Cinders into the lovely Princess Incognita, who duly turns back from riches to rags on the stroke of midnight.
But British director Bryan Forbes had added a twist and it would spoil the fun and what fun! Nothing, you will understand, to do with Gay Lib, but gentle, sometimes malicious, folksy stories that were about such mythical things as wishes three and dwarfs seven. Horses flew, although witches had to be transported by broomsticks.
Now, there have always been fairies of that kind at the bottom of the cinematic garden. There are times, emerging from a whole day of Press shows, when I feel as though I had just awakened from a long dream-filled sleep - only it has been other people doing the dreaming for me. So it is with some trepidation that I suggest that The Slipper and the Rose, The Story of Cinderella CIC is a story worth your consideration, despite its occasional tendency to gush and several longueurs in the narrative.
There is a senile dowager queen, played by Dame Edith Evans as though she had one of those famous Wildean handbags in her mouth. There is Michael Hordern as the King, ditheringly throwing an enormous dice. There is Kenneth More, plumply smug as a courtly big-wig, but bending the knee of characterization to frail humanity when he has to tell Cinders that, despite all that trouble at the ball, protocol will not allow her to marry the Prince after all.
There is, most delightfully, Annette Crosbie as a fluttery lady always getting her spells wrong and pronouncing: Some of the jokes are so in as to be out. He is a charming, good-looking, soft spoken. An astrologer once predicted he would marry around the age of 38 or 39, Chamberlain has yet to meet his own Cinderella.
I admire British actors tremendously. I got the part through luck. That was a big event in my life, as big an event as Kildare was. A whole lot of things stemmed from that. Following Chaillot he became the first American actor to play Hamlet here since Barrymore braved it forty years ago.𝐖𝐚𝐭𝐜𝐡 𝐓𝐡𝐞 𝐒𝐥𝐢𝐩𝐩𝐞𝐫 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐑𝐨𝐬𝐞 𝐖𝐚𝐭𝐜𝐡 𝐌𝐨𝐯𝐢𝐞𝐬 𝐎𝐧𝐥𝐢𝐧𝐞 𝐅𝐫𝐞𝐞
Russell said he was good to work with, very gentle and sweet, that there was a quiet dignity about him which he felt the character needed. I have never felt so drained. All of them costume roles, so I asked him if he thought he had the kind of face that goes well in period films. But the minute you start offering real burning bodies as entertainment, you are moving toward immoral territory. But I know I will in the end. The unit had not long returned from location work in Austria.
This picture is an amusing kind of game. I have a couple of songs of my own, and I do two with Gemma Craven, our Cinderella, who is marvelous. It looks though as if it might be a long, long time before he gets a real chance to live out his alter-ego.
Richard Chamberlain is the handsome Prince and the lovely and talented Gemma Craven, a newcomer to the screen, plays Cinderella. The first record of Cinderella in Europe appears in Italy, inand in it Cinderella plots with her governess to murder her stepmother. International audiences will discover - and love - Irish born Gemma Craven in her first film role, as Cinderella, and they will undoubtedly thrill to her marvelous voice, her dancing talent and her great charm.
While it was known that he could sing he recorded a number of record albums several years agono one expected his voice to be as full or rich as it now is.
When he and Gemma pre-recorded their songs in London prior to production with a full piece orchestra there were congratulations all around. It has since become evident that Richard and Gemma make a great romantic couple on the screen, the maturity of the experienced actor blending perfectly with the innocence of the young newcomer.
As a matter of interest, every member of the cast sings with their own voices. Not one voice had to be dubbed by a professional singer. And this includes Dame Edith Evans 87 who not only sings in the film but dances too. She performs the Minuet at the ball with Christopher Gable - who was himself the principal dancer with the Royal Ballet before he turned to acting. All three worked together on the overall concept and then with the score only partially completed, but clearly of vintage Sherman quality, Frost brought the project to Naim Attallah, an astute financier with a banking background.
But I was an incredibly shy child who, nonetheless, always knew I wanted to be on stage and my parents always took me to theatres like the Gaiety. Yet then dad won that scholarship, moved to England and finally, inwe followed him and the first six weeks - by this stage he'd left Oxford, got a job in Fords in Dagenham and was looking for a place for us to live in Essex - were horrendous because we lived in Holloway in London and I went to a school that was mixed, and run by lay teachers rather than nuns, and where kids mocked my accent.
So I realised, 'OK, two can play at that game' and that's where I perfected my English accent and started taking the mickey out of them. But it was a really tough school and I shut myself off and hated it. She first came to public prominence in The Slipper and the Rose in But how did she get into Chamberlain's boudoir? So the story does have a fairy tale ending in that sense!
But, more seriously, in that book, Chamberlain also tells of how terrified he always was that female fans might discover he was gay. But did he and Gemma ever discuss such matters and was she disappointed to discover Richard preferred men?
All I know is that Richard and I got on like a house on fire and he is a wonderful actor to work with and we had lots of laughs. Though I did think when we met 'God, this is Dr Kildare!
Untraveled Worlds: Why everyone should see "The Slipper and the Rose"
If you need any help, ring me, I know how to handle them. So I couldn't believe it when Sally, his wife at this point, called the day before we were due to meet and said Richard had died. She actually rang and told me before it was on the news and I felt really privileged but, still I was totally devastated.
Instead, she released a press statement announcing they were parting after two years of marriage. Not exactly a long marriage, was it, Gemma? So it was three years in all. But that statement just said I was separating from my husband and since then I've never spoken about it, and I still don't.
Gemma's second blooming
Parents and relatives, on the other hand, can often tell Catholic wives, "You married the man for better or worse, you have to stay with him. It was my life, I've only got one and it's up to me how I live it.
So, yeah, you'd get 'You made your bed now lie in it' and I'd just say, 'I'm changing the sheets!