The Relationship Dance
These are the four key areas of dance analysis. ALL dances can be broken down into these areas and be analyzed using them. ACTIONS. American postmodern dance: a form of modern dance that emerged in the s and dance elements: body awareness, space, time and energy, relationships. For the purposes of the Dance syllabus the following definitions will apply. Term. Definition looking at the relationships between the components of dance.
It is different to the levels in scenic space, which refer to the specific space occupied by the body. Designing the lights is usually done together with the choreographer. This last task is made by technicians or electrical engineers. It combines simple choreographic vocabulary with technically difficult moves, in an expressive style that follows the lyrics of songs and is often interpreted in the short solo format.
It is used to talk about movements executed in positions like lying or movements like cringing and rolling on the floor see High Level and Middle Level too. It is like going to a wide fourth position as we call it in dancewith legs in parallel or in a turnout position. It is used to talk about movements like crawling on four legs or executed from positions like kneeling or sitting see High Level and Low Level too.
Minimizing the leitmotiv would mean making it smaller, mainly in terms of its occupation of space. For example, if the leitmotiv is a step forward, applying minimization will convert it into different smaller possibilities of that same step.
This strategy is used to develop concentration, communication, cooperation and creative skills. Though, this is a dance term commonly used to name a dance trend that was born in the late XIX century and lasted till around the s.
Its homes were Germany and surrounding countries and the United States. It refers to a small choreographic unit a gesture, movement or phrase that is the main reference from which a bigger choreography or dance piece is built and composed. Variations of the motif are done through strategies like repetition, inversion, rhythmical modifications, amplification, minimization, ornamentation, deconstruction and all imaginable compositional tools.
It is classified by historians between de s and s. Some of its French figures are D. The opposition of the movement of one part of the body to another serves the dancer in several ways.
Opposing facilitates grater extensions, maintaining placement, balance or controlling weight. For example when raising an arm, the shoulder should go down.
The direction of their movements creates an opposition upwards and downwards at the same time in order to maintain a right placement of the upper trunk unless another specific placement of the trunk is wanted. It expresses the activity of a muscle or a group of muscles that is not necessary to execute a movement.
French expression that belongs to the vocabulary of ballet. It refers to a combination of three weight transfers over alternate legs steps. It is performed like this: There are different ways to execute that same basic structure, in order to adequate the combination to the needs of the dance.
That leg is bent and the knee guides the jump. Being in the air, you quickly raise the second leg up so both legs form a diamond shape while jumping. Then you land on the same leg you started with and bring the other leg down in front of the first leg to the fifth position again. A percussive movement is unconnected or detached from its neighbors by a pause and it usually has a little accent at the end of execution.
Sometimes the equivalent musical terms are also applied to dance.
Phrases are commonly constructed by following rhythmic patterns like for example the popular dancing phrase of eight beats but they can also be defined just by means of their moves or dynamics. It refers to a full turn on one leg, having the other leg bent, till the point where the foot reaches the knee in a parallel position or with the classical turnout.
Its main characteristic is described by its name: It refers to a position of one leg, which is bent so that the point of the foot is close to the knee of the supporting leg.
In ballet, it is executed with an outward rotation of the leg. It is very common in pirouettes or as a transitional position. Other than the usual meaning of this adjective, this word is used by choreographers or dancers to talk about the action of executing choreography inversely, from the end to the beginning like a rewinding video.
Though, it is used to refer to different things. The rhythm can also be the particular form of gathering the beat, together with a certain character or dynamic that give name to a type of dance for example the waltz, the march, etc.
In the widest sense, the rhythm is the way in which the temporal factor of movement is organized, including beat, tempo, measure, accents and dynamics. When talking about movement dramaturgy, rhythm is also used to refer to the effect produced in a choreographic piece by the combination or arrangement of formal elements, as length of scenes, intensity, timing, or recurrent themes, to create movement, tension, emotional value and progression in the development of the dance.
There are currently various systems used for writing dance scores. The following are some of the most popular: The 'score' may also refer to the series of guidelines created by a choreographer that are followed by the dancers to perform a show.
This is a common compositional method used mainly by postmodern or contemporary choreographers. Gwen Rakotovao Company Shape: These categories were first introduced in modern dance theoretical foundations by Rudolph Laban at the beginning of the XXth century, and have been spread world wide as working tools, both for creative and technical purposes.
Laban established three main different ways to understand space: For example, David Zambrano has a different style of interpreting contemporary dance than Steve Paxton; the Italian ballet school has a different style of executing classical dance than the French ballet school.
For example, having control over the vertical axe of the body, knowing how to turn the head while spotting and correct placement of the trunk are technical skills used for turning. Read our specific page for contemporary dance techniques to expand.
It expresses the frequency of the beat of any rhythmic pattern, in numbers. This means that there are 60 or beats in a minute respectively the higher the number, the fastest the tempo. Tempo is measured by a tool called metronome.How to Define the Relationship
It is usually accompanied by the lifting of one leg really high up. Laban established two main different ways to understand time: It can be executed with different rotations of the legs, arm combinations, turns and so forth.
It is an external rotation of the limb that is executed with the whole leg, including the hip. It opposes to other forms of group timings like the canon, the counterpoint, the dialogue mode and so forth. The word is also used by musicians with the same meaning. The word is also used in an informal way to name short dances or choreographies that are part of a dancing class or of a compositional process.
The "X" as in the warm up technique on the floor: It is also called "the star", because of its outwards pointing shape. It is a stance of maximum extension of the whole body and opposes to the opposite form known as the fetal position.
ACTION SPACE DYNAMICS RELATIONSHIPS by Alison Leigh on Prezi
This dance dictionary is continuously under construction. I will only include words that have a specific meaning among dancers or for the specific field of knowledge of contemporary dance. Perhaps the change comes from something that you've been hoping for -- a child, or a promotion. Or it could come from a major challenge, like an illness or a job loss. Wherever it comes from, something happens, and the music changes.
You and your partner step on each others toes. Changes, enjoyable and difficult, are a part of life and of every couple's relationship.
The Relationship Dance
But how you handle them makes the difference between a relationship that comes apart Research shows that cancer patients who join a support group have better survival rates.
People in happy marriages are more resistant to illness and are more healthyoverall than people in distressed relationships. Fight or Flight in Relationships Humans seem to be wired for connection, and we react quickly and deeply to the threat of its loss.
Johnson explains that arguments are really protests against this loss, whether it is real or perceived. Whether we get angry fight or shut down flightshe argues, underneath we are really scared. When things aren't going so well, it helps to take a few minutes to understand what's going on. When you feel angry, are you also sad, lonely, or scared? When you feel like leaving the room, is it the only way you can find to calm things down?
Dance Steps that Build Connection Here are some steps — some rituals of connection -- that will help you get through those difficult moments: Take a moment to sort through your feelings. Let your partner know something about how you feel and what you need.
Recognize that it's often hard to be honest about feelings. When your partner reaches out, take a moment to understand and respond to your partner's mood.