An analysis of Paul Creston’s Sonata for E-flat alto saxophone and piano. URL to cite or link to: Paul Creston was an Italian American composer of classical music. Born in New York City to He also wrote a suite () and a sonata (op. 19, ) for alto saxophone and piano (both dedicated to Cecil Leeson), as well as a suite for. The Sonata For Alto Saxophone and Piano Op. 19 is one of the most popular termed this idea as meter-as-measure, and is central to Creston’s rhythmic.
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Paul Creston ‘s Sonata for saxophone and piano, Op.
An analysis of Paul Creston’s Sonata for E-flat alto saxophone and piano.
Credton came speedily to Creston: The work is written for E flat saxophone and has three movements, the headings of which are in common-sense English, as espoused by a handful of American composers in the s and ’40s, rather than the traditional Italian. Movement 1 is marked “With vigor” and is appropriately filled with vivacious rhythms; short, pointed gestures are balanced against long legato lines, both types of material having been built using Creston ‘s usual richly chromatic, thickly harmonized tonal idiom.
In the finale, sxxophone wonderfully greasy central melodic episode marked “smooth” slows things down for a while.
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Sonata Op.19 by Paul Creston
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Sonata for Saxophone & Piano, Op. | Details | AllMusic
About the Classical Saxophone. The Contemporary American ‘C’. Gershwin, Creston, Ives and others.