Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.
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Sylvestro Ganassi Editor Hildemarie Peter Note that a few countries have copyright terms longer than 70 years: You know that the bow is to be held with three fingers, that is to say the thumb, the index and middle fingers. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Work Title Opera intitulata Gznassi Alt ernative. Methods ; Performance practice ; Writings ; Divisions ; For recorder ; Scores featuring the recorder ; For 1 player ; Italian language. Opera intitulata Fontegara Venice, The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi’s writings.
English translation based on German edition published in His second in two volumes is about the viola da gamba: Men in art Silvestro Ganassi dal Fontego.
From Wikipedia, the free encyclopedia. In a later passage, however, Ganassi makes it clear that the hair may be tensioned with the fingers in at least some circumstances, for example when playing chords to accompany a song:. Views View Edit History. His treatises fontegqra now available in modern editions. Fonhegara di Ganassi dal Fontegoalso given as Sylvestro di Ganassi fontegaga FontegoSilvestro Ganasi dal Fontegoand Silvestro dal Fontego 1 January —  was a Venetian musician and author of two important treatises on instrumental technique.
His first fongegara covers recorder playing: This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term.
Please obey the copyright laws of your country. Some interpretations of this passage conclude that the bow is to be held without touching the hair,  whereas in later bow-holds the fingers tension the hair in order to allow louder or accented playing without the stick of the bow hitting the string.
This page was last edited on 26 Aprilat Then you could use the fingers to stretch the hairs when playing fewer strings or a single string. Title Opera intitulata Fontegara, fongegara guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: They cover fontegsra technicalities of playing and the subtleties of expression. Public domain Public domain false false.
Ganasssi intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: The following other wikis use this file: Views Read Edit View history.
Sylvestro Ganassi – La fontegara
From Wikimedia Commons, the free media repository. The illustration from Regola Rubertina lower right, fonteggara appears to show this hold. Retrieved from ” http: None [ force assignment ] First Pub lication. Contents 1 Performances 2 Sheet Music 2. There is also guidance on ornamentation — passaggi. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Ganassi’s Regola Rubertina is among the earliest sources of advice to the viol player on how to hold the bow.
File:Ganassi – Wikimedia Commons
Retrieved from ” https: I can say that if you agnassi to play a piece which is in four or five parts while singing the fifth, you would need to use a longer bow than is customarily used. There are some minor differences from the Forni Facsimile Edition based on the Bologna copycompare f.
This is because the hairs on a longer bow would be less stretched, allowing one to draw the bow with less pressure on the strings while playing a chord. Treatise on playing the recorder and ornamentation, published in Venice The thumb and middle finger ensure, in holding the bow, that it does not fall, and the index finger serves to strengthen and stabilize it, keeping it on the strings and exerting more or less pressure according to the need.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. Information on the source of the scan is lacking.
Retrieved from ” https: In other projects Wikimedia Commons. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less. This page was last edited on 23 Novemberat Summary [ edit ] Description Ganassi fontegara.